The example was given that Brahma and Siva are great experts in all affairs, but when they hear the sound of Krishna’s flute, they become confused. We also read in The Nectar of Devotion about the gopis’ attachment to Krishna. When Krishna is away in the forest tending the cows, the gopis feel His absence painfully, and a moment seems like twelve years. Then when Krishna comes home in the evening and the gopis see Him pass by, they become angry with Lord Brahma for constructing eyes with eyelids. They call Brahma a dunce because the blinking of their eyes obstructs their constant seeing of Krishna.
Satsvarupa dasa Goswami - June 11, 2:17 A.M.
Another peaceful night. I woke early again, at 2:00 A.M. Called for Narayana. My head was clear after yesterday’s long headaches.
3:37 A.M.
- Early-morning japa log
I chanted my first three rounds without a stopwatch. Then I used a stopwatch, and it came out to 12 minutes, 42 seconds! The next round took 12 minutes, 47 seconds. I didn’t panic because I was up early, and the first three rounds seemed speedy. Besides, even the slow rounds were comfortable, and I was chanting and hearing nicely. But after that, my stopwatch count went down to 5 minutes for three rounds in a row. The eight rounds were chanted in a decent time except toward the end, when I was rushing. I was paying attention to the sounds of the syllables, Hare, Krishna, and Rama. I was satisfied that I was hearing without being distracted by other thoughts. I was chanting audibly, too. Radha-Govinda looked very beautiful in Their yellow, golden, red and green outfits. Narayana had placed Them very nicely on the altar, and I must thank him for it. He did all the Deity worship without any interruption to my chanting. We seem to get along all right. He’ll be back at 5:00 A.M. for bathroom duties. Now I have time to write the japa essay and time left over to chant more rounds. The chanting was somewhat mechanical, but at least it was clear and efficient.
- Japa essay
For japa to really be done with feeling, you have to call out to Krishna. Cry like a child calling for its mother. One gets so occupied with the accumulation of the rounds and the proper enunciation that he leaves out the most important part, the feeling. The feeling must be at the center of the exercise in order for the japa to be complete. One has to have faith in reciprocation with Radha and Krishna, faith that the holy names are Krishna Himself and Radha Herself. Otherwise, you are just chanting the outer syllables of the name and not chanting offenselessly. Suddha-nama is a rare, advanced stage. We have to be patient with our chanting and hearing clearly, making the sounds audibly and keeping the mind fixed on the utterance of the words themselves. From this stage, we can go to the upper stage, but we should not wait forever to inject the emotion into the chanting, to chant from the heart with the call. “When will the day come when my offenses ceasing, taste for the holy name increasing, when oh when will that day be mine?” The taste for Hare Krishna comes when you cry out to Krishna to please hear you and please let your stony heart be softened by emotions of bhava. So many years of chanting, and we are waiting for that day to come. Therefore, we should pray while we chant and not be content to merely rattle the names off clearly. We should pray in the mood of Lord Caitanya, as expressed in the Siksastakam: “Oh my Lord, I am Your eternal servitor, but somehow I have fallen into this ocean of birth and death. Please pick me up from this ocean and fix me as one of the atoms at Your lotus feet.” “One should chant the holy name of the Lord in a humble state of mind, thinking oneself lower than the straw in the street. One should offer respects to others without expecting respect for oneself. In such a state of mind, one can chant the holy name of the Lord constantly.” All of Siksastakam is rich with guidance for proper chanting.
- Without feeling, the center is missing,
- like the hole in the center of a doughnut.
- We must fill it up
- with tears in the eyes
- and feelings of separation.
- Dear Lord, I am tired of chanting like a machine
- instead of a human being.
- Please fix my sight
- at the lotus feet of the holy names
- and let my heart finally melt
- with devotion.
-
- I cannot do it by myself,
- but with a drop of Your mercy,
- my chanting will turn out successful.
6:46 A.M.
It’s a foggy day. Nothing special on my mind. Bodily troubles occupy the mind. Where is the space to think about Krishna? This morning in my japa essay, I wrote that feeling must be present when you chant. When you write, feeling must be present also, You pray to Krishna in the afternoon. In this morning’s slot, I talk about the beach and odds and ends that come to the mind. Now I am constipated and I have to think about that. To think of Krishna, I go to His pastimes and the Vedic philosophy. Things that my Godbrothers have said in their lectures. Conversations of krsna-katha.
Yesterday at lunch, we talked about the ghastly rasa. Narayana joked that Dattatreya was performing his puja of Gaura-Nitai in a ghastly rasa because Dattatreya mentioned that sometimes the flowers smelled like urine. This brought up the question, “What is the ghastly rasa?” I said when Nrsimhadeva tore apart Hiryankasipu and put his intestines around His neck, that was an example of ghastly rasa. We looked it up in The Nectar of Devotion. An example was given of a man who was a great debauchee and an expert womanizer. Later, he became a devotee, and the mere sight of a woman made him disgusted. Symptoms of ghastly rasa were given as contorting of the face, twitching, and spitting. Yamunacharya is the great example of a former king who enjoyed with women, but once he became a devotee, when he just thought of sex, his mouth turned and he wanted to spit.
We also read from The Nectar of Devotion about Krishna’s flute. The example was given that Brahma and Siva are great experts in all affairs, but when they hear the sound of Krishna’s flute, they become confused. We also read in The Nectar of Devotion about the gopis’ attachment to Krishna. When Krishna is away in the forest tending the cows, the gopis feel His absence painfully, and a moment seems like twelve years. Then when Krishna comes home in the evening and the gopis see Him pass by, they become angry with Lord Brahma for constructing eyes with eyelids. They call Brahma a dunce because the blinking of their eyes obstructs their constant seeing of Krishna.
In our natural conversations, we don’t speak much of Radha and Krishna, and so our opportunities come when we read out loud from the books.
8:30 A.M.
“If I Were a Bell.” Ask me how do I feel now that we’re together. Well, sir, all I can say is if I were a bell, I’d be ringing. If he were a lamp, he’d light. If he were a banner, he’d wave. If he were a gate, he’d be swinging. If he were a watch, he’d be popping his springs. If he were a bell, he’d go “ding dong ding dong ding.” If he were a bridge, he’d be burning. If he were a duck, he’d quack. If he were a goose, he’d be cooked. If he were a salad, he’d be splashing his dressing, and if he were a bell, he’d go “ding dong ding dong ding.” That’s a description of a love affair. Pretty wild. How does it compare with Krishna and Radha? He’s doing all those things. He’s ringing like a bell. He’s swinging like a gate, and he’s going over the moon. Miles Davis plays the introduction melody on muted trumpet, and John Coltrane comes soaring in with his cry and his inimitable way. Krishna and Radha behave in ways that can’t be captured by popular songs, with all their extravagant words. The popular song is just a pale reflection of what They do and how They feel. He’s certainly ringing like a bell and waving like a banner. They are feeling emotions that cannot be captured, even by the jazz musicians, who are making a nice enough tune out of it. Red Garland’s chords on the piano swing a nice enough tune, but there’s no comparison to how Krishna swings, so that’s all we can say. There’s just no comparison to the bell ringing of “If I Were a Bell” and the rasa dance.
“You’re My Everything.” This is a song that Krishna sings to Radharani, and She sings to Him. You’re my everything. You’re my life’s breath, you’re my yearning, you’re my happiness, but sometimes you’re my sadness. I don’t exist without you. Miles plays it as a ballad with a muted trumpet, and it’s nice enough. You’re my everything. What a beautiful sentiment, and it can only be upheld by Radha and Krishna. Other people have reservations and motivations. They hold back. They can’t give everything. But the Divine Couple give everything to each other. In this world, there is only a refleection of it. Maybe in rare moments, it exists for a little while that somebody thinks someone else is everything to them. But then later, it sours, it changes, it grows old, it gets stale. In the spiritual world, it’s eternally fresh and always true. Krishna is everything to Radharani, and Radharani is everything to Krishna, always and forever.
“I Could Write a Book.” I’ve written many books, so if they ask me, I could write a book. I’d like to write a book about Radha and Krishna, but I’m not qualified. There is a book, though—Srimad-Bhagavatam. And there are books by the Six Goswamis that tell about the way Radha and Krishna walk and whisper and look. It tells how they met in a way that the world will never forget. The simple secret of the plot is just to tell them that they love each other a lot. Then the world discovers, as the book ends, how to make two lovers of friends. If they ask me, I could write a book about my days in Krishna consciousness. My struggles. It wouldn’t be so wonderful, but it would be true. And I’m writing that book. It’s telling how I chant and how I hear and how I try to serve my spiritual master. As the book ends, I’m not sure how I wind up. I try to approach the two lovers in the spiritual world. The end of my book will have to be discovered at the end of my life. The simple plot is that I struggled a lot. But fortunately, I met my spiritual master, and I’ll never forget that. He taught me all about Krishna and Bhagavad-gita. And so I’ve written some books about my adventures in Krishna consciousness, and I hope to write some more. But the best books have already been written, and we can just read them. They tell about the way the Divine Couple walk and whisper and look and how They love each other a lot. The world should discover that wonderful book called Srimad-Bhagavatam, and the books by the Goswamis. Then they’ll learn what’s meant to be learned in this world. They’re the best books, and other writers have not written any books that measure up to it. So if they ask you to write a book, read Srimad-Bhagavatam first.
“You’ve Changed.” This is a ballad by Keith Jarrett. It’s a sad song. You’ve changed. You’re not the same anymore. You’re not the way you were when I loved you. Radharani felt this way when She met Krishna at Kuruksetra. He wasn’t the cowherd boy She loved in Vraja. He was now surrounded by soldiers and elephants and ministers. She wanted Him back in Vrndavana. You’ve changed, Krishna, you’re not the cowherd boy we loved. Sometimes we get disappointed in devotees who’ve changed, who’ve left Krishna consciousness and have no more interest in Krishna. That’s a sadness, too. Why did they go away? What was it about them that made them leave? Who’s fault is it? You’ve changed. I don’t see the same look in your eyes. I can’t talk with you about Krishna anymore. You’re a different human being. Gary Peacock plays a very sad, conversational bass solo to emphasize the mood of this piece. Don’t you remember chanting together? Don’t you remember the hopes of going to krsna-loka? Now you’re interested in another “ism.” You’re going to school now. You’ve got a new job. You’re embroiled in family life. Or you’ve just... changed. You’re not interested anymore in what I’m interested in. Our rapport is gone. You even look different. You dress differently. You talk differently. We can’t make it together anymore. We’ve gone our separate ways. But maybe in the future, things will change again. I’m hoping for that. Youv’e changed once, you could change again. Radharani hoped that about Krishna, that He wouldn’t stay in Kuruksetra, that He’d come back to Vrndavana and change again so She wouldn’t have to remain sad and mournful. It wasn’t that He’d changed so much, it was that the place changed. If He could just go back to Vraja, then He’d change again. When someone changes like that, the bottom drops out, and it’s just very sad.
11:50 A.M.
- My Dear Lord Krishna...
I pray to You to get to know You better. You can be known only by devotional service. I wish to attain bhakti. By praising You, I may please You. You are like a person of this world; You like to be praised. You like sincere adoration. But it must be sincere. I must prove my love for You by unmotivated acts.
This prayer has been interrupted for over an hour by a headache. Because of these daily headaches, I am not able to go out and preach and lecture and travel. So I have to please You by introverted methods of writing and chanting at home. It is possible for me to please You in this way. But I must be sincere. Between my headaches, I get spaces of time when I am clear, and in those spaces, I can write to You or I can chant my rounds. I have a little space now, so I am writing to You.
You lifted Govardhana Hill and held it on the pinky of Your left hand for seven days. You thus thwarted Indra, who tried to destroy the residents of Vrndavana, because You stopped the Indra yajna. You are praiseworthy for this act by all the residents of Vrndavana and by all living entities.
You drove the Kaliya serpent away from the Yamuna when he was poisoning it. It was so poisoned that even if a bird flew over the Yamuna, he would die from the poison. And cows who drank the water from the Yamuna would die also. Of course, any human being who went into the water would die. So You dove into the Yamuna and faced that serpent. He became very angry with You and tried to attack You with his thousands of hoods. You jumped up on him and began dancing on his hoods, smashing them with Your feet. You turned it into a wonderful dance art. Before You did that, however, you played with the serpent and allowed him to catch You in his coils. This frightened all the residents of Vrndavana, who thought that You would die. When You saw that they were too anxious, You broke the grip of the serpent and began dancing upon his hoods. He began to vomit and bleed and admitted his defeat to You. He came to understand that You were the Supreme Personality of Godhead, and he obeyed Your instructions. You told him to leave the Yamuna with his wives and children and never come back. You told him You would give him protection from Garuda so that he would not be eaten by the bird-devotee of the Lord. For this act, You are praiseworthy by all the Vrajavasis and all the devotees of the world.
You satisfied all the gopis of Vrndavana who wanted You as their husband. You danced with them in the rasa dance on an autumn evening. You expanded Yourself and danced between each gopi so that they thought they were with You alone. This is the most wonderful of Your pastimes. You played amorously with all of the gopis in the rasa dance and then strolled with them to the Yamuna and had water sports. You disappeared from their midst to create even greater love on their parts for You by separation. Then You joined them again and spoke words of consolation and love to them. For this, You are praiseworthy to all the gopis and all the residents of Vrndavana and all devotees of the world.
You drove the chariot of Arjuna on the battlefield of Kuruksetra. At the beginning of the fight, Arjuna lost his heart for fighting and said he would not fight. You spoke to him the entire Bhagavad-gita to convince him to fight, and You taught him and the whole world the science of Krishna. You taught bhakti yoga as the highest truth and said that no one could attain You except through devotional service. Then You convinced Arjuna to fight, and with great enthusiasm, he went forward with You guiding him on the chariot. You taught him tricks for killing his various enemies, and he came out triumphant. For Your guiding Arjuna on the battlefield and for Your teaching the Bhagavad-gita, You are praiseworthy to everyone for all time.
In the Tenth Canto of the Srimad-Bhagavatam, Sukadeva Goswami taught Maharaja Pariksit all about Your pastimes. The Tenth Canto of Srimad-Bhagavatam is the greatest contribution to the world, for it tells us about the Personlity of Godhead in His humanlike form. Especially precious are the pastimes in Vraja, in Krishna’s boyhood and youth, but also His pastimes are told when He left for Mathura and lived in Dvaraka. All these Tenth Canto pastimes are glorious and prove You praiseworthy by all the worlds. Sukadeva Goswami is also praiseworthy for telling them.
You are praiseworthy for Your invitation to all jivas that they can come and join You and live in the spiritual world. They only have to give up their sinful activities and take to devotional service under the guidance of a bona fide spiritual master. You appeared in the age of Kali as a pure devotee, Lord Caitanya. Lord Caitanya is Krishna Himself appearing as a devotee of Krishna. Lord Caitanya adopted the mood of Radharani and demonstrated separation from Krishna. You are praiseworthy for Your appearance as Lord Caitanya and teaching the world vipralambha, separation from Krishna. And You are praiseworthy for spreading the sankirtana movement in the form of Lord Caitanya and His followers. Thus by chanting the Hare Krishna mantra—Hare Krishna Hare Krishna Krishna Krishna Hare Hare/ Hare Rama Hare Rama Rama Rama Hare Hare—and following the rules and regulations of vaidhi bhakti, a neophyte devotee can raise himself to the platform of krsna-prema and go and join You in the spiritual world. For giving all jivas this opportunity, You are praiseworthy.
I praise You for giving me also this chance to qualify myself to go back to Godhead in one of these lifetimes. I may be hampered by my physical ailments, but I am able to chant and hear and thus fulfill a satisfying life of Krishna consciousness. I praise You for giving me this opportunity, even though I am physically handicapped. Please let me go on praising You in my prayers and daily japa writings and other reflections. Let me improve in my japa. I praise You sincerely because You are very great and compassionate. You want me to get to know You better, and You are giving me an opportunity to do so. I am trying to spread compassion to others by writing about You and spreading the good word. Please accept this service of mine as nonduplicitous and do with me as You wish in this lifetime and the next. I bow at Your feet and at the feet of all the devotees who are working on Your behalf..
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